The exhibition "Catamarca, forgotten land" of the plastic artist Elizabeth Eichhorn presents a series of watercolors, ink and charcoal for our distant province of Catamarca. In its tender yclidos characters, conveys the simplicity of the people, the children with their sweet eyes, marks the work and the passage of time on the faces, innocence and forgetfulness, loneliness and the distant a, the simplicity and love, suffering and pain, all with incomparable beauty, revealing the characters that inhabit our territory and they are so forgotten. Jorge Vera / Fernando Magnalardo Elizabeth Eichhorn, the allegory of beauty contained in the features sculptor, painter and draftsman, his concern is to capture the beauty of their characters, either describindolos, in the manner alleged presentndolos rich or looking for subtle caution in the precise moment, before delving into his features to the classical way. His sculpture looks for beauty in the elegance of the figure of the woman or female character-pleased, from women-liblula the fairies or the sirens of the sea. Emblematic female characters, cheerful, symbolic and metaphorical are the result of the idiosyncrasies that shapes, ie they are what they are, because they have the meaning that we all know they have. The fact that focus on them, has its explanation from the point of view of the importance of things. It is no coincidence that the world enters DVICO, because nature is a constant in his work, though in many cases, is not nature but the human beings at the center of the composition. As this part of it, it is logical to contine the legacy DVICO and expressing a willingness to find the good in life because our mind and heart estdonde they think is. Not intended to complicate the work, because most preocupacin to show the elegance of features, expressiveness contained in the gesture of the composition, trying to communicate naturally and subtlety at the same time. Beauty is beautiful if some of the idiosyncrasies of thought. That is, the idea determines the beauty, as before has been created to materialize mental and experiential level. While beauty is subtle when it is the principle of beauty, not atavistic or violence. Because violence, debauchery, the asymmetry ignorant of those who have much maya, unbridled energy, slander, careerism and manipulative attitude only leads to death destrucciny. And in the destruction as a concept there is no beauty in the final sense of it. Elizabeth Eichhorn for his work is based on the natural beauty of things consecucin alejndose of the beauty of suffering travs plasmacin or situations in which the despair prevails melancolao n. It is said that beauty is harmony, absence of suffering, a state of mind, a certain aproximacina purity, a state of contemplation, which contains neither the disease nor pain. In his pictorial work, her watercolors reflect the importance of drawing, since it determines the idea, always based on the representation of the human figure, woman, women as mothers, the girl. While his drawings, graphite pencil studies and sketches, ranging from the characteristic and shading, the importance of form and shadow, through the calculated and classic representation of the features, by way traditional, almost without intervention, trying to grasp the reality of them. His work is classical in general lines, based on the importance of drawing, preferring to capture the harmony, the formal and compositional exact calculation. To do so presents a dynamic details that draw one's consideracin of its elements, regardless of subsequent screenings or interventions in which the idea is too strong at the moment of impact the reflected the development. Joan Forestry Association Llus International art critic. Curriculum vitae Professor of Visual Arts and Technician potter, graduated in the city of Mar del Plata. Realiznumerosos artistic training courses and teaching in the country and abroad, Spain, Italy, Greece, Germany and Belgium in 1980, 1982 and 1998. Improvement in the workshop of master Hidelberg Ferrino from 1975 to 1997, working in common and less monumental. Meetings involving provincial and national Muralists Mar del Plata, receiving distinctions. Involving numerous exhibitions of ceramics, drawing and sculpture in the city and interior, including the "Art Panoramas Marplatense" organized by the Museo de Arte Juan Carlos Castagnino "of Mar del Plata. Creel Art Workshop "Hidelberg Ferrino" and the Children's Art Workshop Caracol, which runs today and since its inception. Creator of "Plan Sculpture Education 2000 for blind and partially sighted "currently in office. Realizexposiciones sculpture and drawing individual and collective. Make intense cultural, educational and artistic. Has works in audience sites and private collections. formation, activities and further studies audience: Teachers of Visual Arts, ao 1976, Mar del Plata. Ceramist Technician, year 1974, Mar del Plata. Numerous seminars and conventions art neurolingstica, social communication, motivation, psychology of educacin from 1995 to date, in several cities of Argentina, Uruguay and Brazil. 2 Intercollegiate Prize in Poetry, Mar del Plata, 1977. First Mention in National Competition Muralists, 1976, Parana, Entre Rios. Improvement in the workshop of the sculptor Hidelberg Ferrino, from 1975 to 1997. Together with the teacher involved all the works of monumental sculpture and children, since the busts homage to the gigantic 20-meter high hill on the Shot, Bethlehem of Catamarca, 1,500 meters above sea level; Monument to The Fraternity, 15 meters high, Mar del Plata, etc. . Artistic study tours to Spain, Italy, Greece, Germany, Belgium, Brazil, Uruguay, in 1980, 1982, 1998, 1999, 2000. Activities: Founding member of the Cultural Center July 9, 1996. Advisory member of the School of Music Marplatense and Keyboards Youth Orchestra from 1993 to 1996. Founder of the artistic Association Condor, with Benfica goals through art. Creator of 'sculpture Education Plan 2000 for blind and partially sighted "and currently serving trmite the National Foundation for the Arts. Work of restoration of monuments in Mar del Plata, Las Flores, Coronel Vidal, Buenos Aires. Founder and director of the House MuseoTaller Ferrino, situated in the street France 1354, Mar del Plata, Argentina, providing artistic formation for adults, teens, blind and disabled drivers. Founder and director of Children's Art Workshop Caracol, in the same venue for children from 5 to 13 years. In legal trmite Ferrino the Foundation in order to meet cultural objectives, trade and special courses. Organizing public events as mega massive annual exhibition of members of the Workshop, Pblico Christmas Party, Children's Murals audience, all municipal auspices, declared of cultural interest. It has an extensive archive of journalistic publications in newspapers, magazines, in addition to television and radio interviews for whom seek. Public Works: 1974, Martn Fierro mosaic mural commemorating the 150 years, School JosHernndez N13, Mar del Plata. 1977, Mural, Paran, Entre Ros. 1995, seven Basque provinces shields, Monument to the Immigrant, Paseo Galndez Jess, Sea Plata. 1997, Nio Jess, Jess spent Nio Altar, Church of San Benedetto Martire, Mar del Plata. 1999, Manuel Belgrano Monument, central Plaza de La Banda, Santiago del Estero. 2000, The Strategist, portrait of Napoleon Bonaparte, Sassi Colombres study, San Miguel de Tucumán. 2003, Busto tribute to Pascual Spina, Mar del Plata. 2005, Monument to General Francisco Pancho Ramirez, Mar del Plata. 2006, Memorial Honors Albano, City of Miramar. 2006, in execution, the first monument to Diego Maradona in Argentina. Solo and group exhibitions: 1972 to 1975, exhibitions of ceramics, Mar del Plata. 1977, collective exhibition, lithographer, San Miguel de Tucumán. 1988 and 1989, Panorama of the Arts Mar del Plata, Juan Carlos Castagnino Museum, Mar del Plata. 1998, Diario Clarin, Mar del Plata. 1999, Cabrales Alberti, Mar del Plata. 1999, Club Nautico, Mar del Plata. 1999, Exhibition of Painting and Sculpture Museum Castagnino, Mar del Plata. 2000, Sacred Art, Cabrales Alberti, Mar del Plata. 2000, Guillermo Vilas Museum, Mar del Plata 2001, Puerto Cultural Salon, Mar del Plata. 2001, Mint, Buenos Aires. 2002, Cooperative Institute for Mobilizing Funding, a subsidiary Mar del Plata. 2002, television program, Channel 8, Mar del Plata. 2003, Centro Abruzzese, Mar del Plata. 2003, Cooperative Institute for Mobilizing Funding, a subsidiary Mar del Plata. 2004, Provincial Hotel, Mar del Plata 2004, institution-tina Hands Art, Mar del Plata 2004, Cabrales Alberti, Mar del Plata. 2004, Cooperative Institute for Mobilizing Funding, a subsidiary Mar del Plata. 2005, Casino Employees Association, Mar del Plata.